"Please could you stop the noise, I'm trying to get some rest!" It's all in my head. All I can hear is "do you dress like a boss-to-be or a permanent underling?" Clothes: you go along your whole life and they seem as though they mean something and they always end up not meaning anything...
HOW DID I GET HERE?!
Sitting in my cubicle today, I realized, ever since I started working, every single day of my life has been worse than the day before it. I love the passing of time with no alarms and no surprises in a job that slowly kills you. Liquor provides the only mechanical relief; it is a hatchet with which we chop at the frozen seas inside us. I was happy in the haze of a drunken hour... Then, I wake up to reality: an ugly vacuum full of poor polygamists unable to obtain booze or with chronic stomach disorders that they called secret sorrows. They can all just kiss off into the air...
''You look so tired-unhappy,' said the lady to the man she adored.
'The plain fact is that I'm a loner, Dottie, and I fake my life like I've lived. I'm not the one you want, babe,
I will only let you down. I'm tired of openings, closings, bad repartee; everybody knows-can't buy a thrill in this town. This ancient empty street's too dead for dreaming and I'm done digging for fire. Let an earthquake crumble it, let the fires rage, let it burn to fucking ash and then let the waters rise and submerge this whole rat-infested place!'
'Shh, someone will hear! Let's go up and get some fresh air, alright?'
'I'm less concerned about fitting into the world...Your world that is....I went to a shrink to analyze my dreams. She says there's a whole generation with a new explanation in the West!'
'There's always a siren singing you to shipwreck. So, don't buy everything they sell you.'
'How about way on down south, London town?'
'Fools stand on their island opportunities and look toward another land! There's no other road, no other way... I Live this moment as my last. People think it's all about misery and desperation and death and all that shit which is not to be ignored, but what they forget is the pleasure of it here!'
'I ain't much of a hand at makin' speeches, but I got a pretty fair idea that you're not happy. And if there is not any such thing as a long time, nor the rest of your lives, nor from now on, but there is only now, then pick up your money and pack up your tent because time waits for no one!'
'I need more time. Same time, next year, tell me that you'll wait for me. Hold me like you'll never let me go!'
'At one time, you've got it, and then you lose it, and it's gone forever. All walks of life: George Best, for example. Had it, lost it. Or David Bowie, or Lou Reed-'
'-Calm down; you're not going to prison. You are so young, so much before all beginning, and I would like to beg you, dear Sir, as well as I can, to have patience with everything unresolved in your heart and to try to love this land because this land was made for you and me.'
'I'm becoming less defined as days go by. Fading away...'
'It is often safer to be in chains than to be free.'
'I've got balls like watermelons, I'm telling you. People tell me it's a sin to know and feel too much within; well, I feel numb- born with a weak heart, but I watch my daddy in bed a-dyin', watched his hair been turnin' grey, he's been workin' and slavin' his life away. I would perish here miserably. Ain't you tired of this excruciating banality? There's a better life for me and you.'
(Morning came and morning went)
'So, you and me babe, how 'bout it?'
'Home is where I want to be. Life's been good to me so far, plus, I'm a straight shooter with upper management written all over.'
'Go ahead, take a quiet life, a handshake of carbon monoxide. Quietly he laughs and shaking his head: 'So long, Dott.'
(Forty days and forty nights, into the future to be exact)
Our young hero shrieks in realization as he is surrounded by gentle people with flowers in their hair, 'Heaven knows I'm miserable now. Which way I fly is Hell; myself am Hell! '
This comment has been removed by the author.
ReplyDeleteI like it.
ReplyDeleteI think its, the exchange between two lovers in the middle of the night, in some semi-private place, both with more than a few screws loose in their heads; right before their impending break up... ??
after you edited it...blank->extra at the end...
ReplyDeleteI saw what you did there..lol
not confident in what you put together?
I don't know if the new ending adds or changing anything... maybe its because I already decided on a specific reading of it.
thanks for the feedback, Brian. your take on what is happening is essentially what i had in mind.
ReplyDeletethe "so long dott" ending felt stale and i didn't want it to be as much about the relationship as the two individual characters; one is too caught up in the romance of relocation and finding all his answers from another state to realize that he has been asking the wrong questions, and the other, dottie, acts as his too sane and practical foil. although the product of that idea may be ineffective and disruptive, that's what i was going for.
I guess the original ending was a bit stale...
ReplyDeleteThe new ending lends more depth into the main character, but I think it forms too solid of a conclusion.
The relationship between the two doesn't overpower their character being defined through their exchange.
Its pretty clear that the guy is needy and wants to escape his horrors, by running.
But the girl, although not completely solid minded, is stronger, so she stays cause she wants to make a ??difference??
the original ending doesn't suggest that he learns anything by running, but he leaves.
but there is a slight hint that he knows its better to stay...he asks HER to wait for him, a reversal of the stereotype.
the new ending, just solidifies this notion.
- so i guess it does help...sorta..
Dottie, isn't really that sane.. lol
she went to a shrink to explain her dreams (historically, ancient civilizations did this, but now not as acceptable -i guess- which lends to her "insanity"), and has self doubt in who she is.. but then contradicts herself by declaring her confidence. (tho, it just could be i missed a switch in the order of dialog...)
i guess if you do see dottie as taking the more practical route, it is a bit more ineffective in portraying her slight-insanity.
but it is her stronger will to stay and continue, which disrupts this idea.
so yeah, the story doesn't really get lost in their relationship and the romance of relocation...it does clearly portray their character, because the relationship is just a back story.
eek ... i think i made it a bit unclear about who's speaking when. dottie is the one who asks him to wait for her and he's the one that goes to a shrink. it's funny how we have such different conceptions of how psychiatrists are seen in this culture, because they seem much more socially acceptable and less stigmatized today than they were even 30 years ago. what is sanity anyways? ha
ReplyDeletelol, that's cause the new general stigma is that almost everyone has a shrink, i.e. everyone is just a bit crazy, or needs someone to confine in, but don't have anyone they can trust, so they pay people...for their trust.
ReplyDeletedottie asks him to wait?? but doesn't it alternate? wait.. you edited it again! lol
you combined two separate lines into one: "...Your world that is....I went to a shrink to analyze my dreams."
but doesn't the reversal of the stereotypical roles add a bit more depth into the characters?
cause originally the guy calls her "Sir"
ReplyDeletea mistake, in ordering.. but its funny...
and dottie originally says she "has balls the size of watermelons"..
i mean it was sorta confusing, but the end result was really funny =D
sorry for the confusion, but i meant for those lines to come from the same speaker; i can see how my separation of them added more ambivalence and complexity to the characters, which is an interesting, but unintended idea.
ReplyDeletethe "stereotypical roles" that i often find attributed to women are flighty, fragmented, idealistic, irrational, penis-envying and passion-driven, which is everything that dottie is not; don't the stereotypes adjust according to genre and time, anyways? neither of which i'm clear about in this narrative ... regardless, both of our ideas of stereotypical gender roles are ultimately subjective.
i wasn't that confused, so there's nothing to apologize for.
ReplyDeleteare the "stereotypical" attributes you listed ones you identify with yourself?
i agree, that the stereotypes adjust according to genre and time, but what are they?
you have a cubicle - something that is more modern, and this old western way of speech mixed with the desire to relocate to the west.. creating a mix of things..
but dottie does exhibit traits you say she doesn't. she is passion-driven - to stay, she maybe envious of his ability to just leave, irrational in her request for him to stay, idealistic in her views of life "its often safer to be in chains...", fragmented with her dreams, and flighty because she chooses to stay instead of going with him.
Very nice exchange, between the two of you--I appreciate it. I myself was less drawn to working my way through who was speaking then (though I may have had the benefit of rewriting), than the way the various voices, many of which I recognized, pulled me into various movies and songs and then, just as quickly, pulled me out. I love that this happened in this particular piece because it was a conversation and unquestionably a story (as opposed to a monologue or meditation on a subject). This meant that it had its own dynamic going on, and a whole aesthetic and movement, that was both complemented by and at odds with the source material.
ReplyDelete